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vintage poole pottery

Above -  'Midnight Sun-2' and 'Papyrus A-2'. Above - plaque named 'Rock Crystal' and signed by Ann Read. The period 1945-50 was one of re-grouping and reconstruction. The design policy at this time involved close co-operation between designer, thrower and artist. Pair Poole Pottery Gemstone Pattern Living Glaze 3-5/8"T Vase Tumbler England From shop frantiquetreasures. Above - from near left to right, shape 696, shape 719 in Magnolia White, shape 343 in Red Indian, shape 350 in sky blue and shape 724. A decade or more of austerity had led to a pent-up demand for wallpapers fabrics and pottery incorporating bold colours and the latest designs as a nation turned its back on the dark days of the past. Something went wrong. Go to previous slide - Shop by Object Type, Slide {current_page} of {total_pages} - You May Also Like. The Festival of Britain was held on the South Bank in London in 1951. Above - Stars pattern FST and FSU designed by Ruth Pavely, 1956-1957. Above - Burst pattern PV designed by Ruth Pavely, 1956-1957. Above - an unrecorded pattern on a brown glaze, 1952-1955. This original design was incorporated into a range of circular plates renamed ‘VZ Poole Harbour’. Above - Ravioli pattern GGP shapes 723, 721 and 716. Above - shape 359 patterns UIL, UIT and UOL, Above - shape 365 patterns UFW, UOT and UFT. The showrooms had been taken over as a customs office by Imperial Airways, whose flying boat service to America and the outer reaches of the Empire had been moved from Southampton to Poole Harbour by the Air Ministry. Above - shape 700 vase. The manuscript mark may indicate the time taken to decorate (see above). Above - shape 313 flower trough in an unrecorded trial pattern. Shapes 350, 351, 352, 742, 343 and 720. Poole Pottery Price / Value Guide: Browse FREE Poole Pottery Price & Value Guide. The rear left hand vase shape 724 is the only 'production' piece. Above - plaque named ‘the Quay, Poole - 1'  signed by Ann Read. Site by Hampshire Websites. Dorset. During the War the old kilns used for the manufacture of structural ceramics by Carters had served as air raid shelters and the Pottery was effectively derelict [the Poole Potteries by Jennifer Hawkins, 1980]. Patterns (from top to bottom ) TNC, ROC, ROL, ROC (variation), TNC (variation) and unmarked. Alfred Read’s daughter Ann joined the Pottery in 1952. The left hand and centre marks were used from 1952-1955 and the right hand mark from 1955-1959. POOLE POTTERY VASE, ENGLAND, HAND DECORATED, DECO STYLE, ARTIST SIGNED All have the impressed Poole Pottery mark rather than the stamped dolphin marks introduced in 1952. There seems to be a problem serving the request at this time, Showing slide {CURRENT_SLIDE} of {TOTAL_SLIDES} - Shop by Object Type, Showing slide {CURRENT_SLIDE} of {TOTAL_SLIDES} - Shop by Color, {"modules":["unloadOptimization","bandwidthDetection"],"unloadOptimization":{"browsers":{"Firefox":true,"Chrome":true}},"bandwidthDetection":{"url":"","maxViews":4,"imgSize":37,"expiry":300000,"timeout":250}}. Above - Butterflies pattern PT designed by Ruth Pavely, 1956-1957. Website Design and SEO. Above - Bamboo pattern shapes (from near left to right), 350, 324, 720, 342 and 351. bove - shape 302 showing different interpretations of the Bamboo pattern. Above - the three 'dolphin' marks most commonly found on 1950's Poole. In 1950 Claude Smale (a former student of the Royal College of Art) joined the Pottery as Head of Design with Ruth Pavely as assistant. Truda Carter had reached retirement age and John Adams suffered ill health. Website Design and SEO, Hampshire Websites. Shapes 350, 352, 742, 343 and 720. Roy Holland (who came from the Potteries in Stoke on Trent) was appointed works manager in 1945 and set the task of rebuilding the East Quay site. Above - Horizontal Rope pattern HYL and HYT by Ruth Pavely 1956-1957, shapes 725, 716 and 719. He had studied at the Royal College of Art where Harold Stabler lectured from1912 to 1926. She had studied fine art at Chelsea School of Art but had no experience of ceramics and was taught the art of painting on to unfired glaze by Ruth Pavely [The Poole Potteries by Jennifer Hawkins, 1980]. The vase can just be made out (on a shelf above Lucien Myers) in the 1954 design meeting photograph illustrated in Hayward and Atterbury at page 99. Above - cucumber dishes shapes 145 and 555 (not to scale) in a John Adams design from the mid-1930's but well suited to the contemporary designs of A.B.Read and Ruth Pavely. Harold Stabler died in 1945. [it seems that Guy Sydenham held a similar view - see 'A Potter's Life' pp 105]. Above - shape 685 vase in an unrecorded pattern showing trial markings to the base. View cart for details. Trial patterns and one-off designs are rare. Both pieces were exhibited in the display of studio pottery at the Tea Centre Regent Street in January 1958 and can be seen in the Exhibition Catalogue ‘Poole in the 1950's' on page 6. Above - top left to bottom right - unsigned plate, Ann Read paintress mark 'R' dated 20.4.1955, pattern AW, pattern UG snow goose and 'the 8.45 - 3'. Shapes 343 and 720. They produce decorative and ornamental art pottery that has become very collectible. Above - picture taken prior to the redevelopment which took place 1946-49. Copyright © 1995-2020 eBay Inc. All Rights Reserved. Painted designs by Ann Read and Ruth Pavely were informal and well adapted to the irregular curved surfaces of the freeform range. All have the factory dolphin mark for 1955-1959 except for 'the 8.45' which has Ann Read's distinctive Poole Studio dolphin mark. The Lime green bands have not adhered well to the underlying glaze and this may explain why the pattern was not put into production. Travel/Railway Poster Above - Basket pattern in unusual and unrecorded colours, probably a trial. The markings on the base are believed to denote the sequence in which the colours were applied and the time taken (36 minutes) to decorate (for the purpose of costing). 5 out of 5 stars (61) 61 reviews $ 20.93. Poole Quay, Harbour. FIND 1000's of Antiques, Art, Vintage & RARE Collectables - each item pictured, described and with it's price guide. Freeform is the name given to the Scandinavian-influenced asymmetrical and elliptical shaped vases conceived in the early 1950's and produced from 1956. Made between 1950 and 1951 they pre-date the lifting of wartime restrictions and were probably made for export. Above - display plaque designed by Ann Read (c.1956) and painted by Nellie Blackmore who was the painting shop supervisor from 1950-1976 and whose career at Poole Pottery began in 1927. Above left - pattern PGS      Right - pattern PGT, Above left - pattern PJB      Right - pattern PJL. Bowl in a unique shape, signed and dated, 1957. Right - studio vase in a trial pattern beneath a Red Indian glaze. Above - freeform hanging planter, Guy Sydenham, 1950's. Above left - PJL pattern on a brown glazed vase. Government restrictions on the sale of decorated ware to the home market were not lifted until 1952 (although the factory outlet had been allowed to sell seconds). Above - from left to right, shape 724, shape 696, shape 342, unrecorded bowl thrown and signed by Guy Sydenham and shape 719 all in Black Panther glaze. Above - Vase in pattern YHP painted by Jean Cockram, 1953-1955. Above - 'one-off' vase shape 724 by Guy Sydenham. Between 1946 and 1949 the site was rebuilt into a modern factory using the latest kilns and production methods. Set Of 2 POOLE Pottery " Living Glaze " Art Vase Made in England Cobalt Interior Above - shape 360 pattern GBG and shape 365 pattern GBT. Ann Read is best known for some original designs which were produced in small quantities and sold as limited editions. This was  a time when many students from the College visited the factory and in 1923 he had contributed some kitchen tile designs which later went into production. Above L and R - unrecorded trial pattern shape 710, 1952-1955. The three pieces shown below are amongst the earliest examples of the decorative style which has become synonymous with 1950's Poole. Above - Tadpoles pattern PX designed by Ruth Pavely, 1956-1957, shapes 343 and 742. The shape was designed for slip casting but this example is hand-thrown. The painting above by architect and watercolour artist Jasper Salwey FRSA (1947) shows the redevelopment proposals for the East Quay Works. Above - an early and important prototype freeform bowl designed and hand thrown by Guy Sydenham, 1958. The trial markings read 'TR.T.20 Unique Italian Black'. Poole was set up in 1873 as Carter and Co. and started out by making architectural ceramics incuding tiles and ornamental ceramics used in the building industry. The vases were very popular for flower arranging (which was a popular pastime) and in the words of Guy Sydenham, ‘we couldn’t make enough of them’ [A Potter’s Life II]. Above - named patterns on contemporary vases kitchen and tableware attributed to A.B.Read include (from left to right)  ‘Featherdrift’ (NN), ‘Ariadne’ (OS),  ‘Constellation’ (JPG) and ‘Ripple’ (OV) (images not to scale). Above - shape 719 in Basket pattern GBA and GBU designed by Ann Read. Above - plaque named 'Gothic 1' signed by Ann Read. This piece was also part of the display for the Tea Centre Exhibition and can be seen in the photograph referred to above.

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