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rode ntg4+ vs ntg5

The Newsshooter forums have just launched. They are both great microphones that can be used interchangeably in many scenarios, however, the NTG5 excels as a location recording mic, whereas the NTG3’s pronounced low end is ideal for recording indoors (also great outdoors), and for voiceovers and other applications where rich bottom end is desired. It comes in a complete location recording kit, featuring the new WS10 windshield, redesigned pistol grip and other accessories. The Signal/Noise ratio is slightly better on the NTG5, while the NTG3 has slightly better sensitivity. I’m glad that RØDE has released the NTG5 because it shows that they are still committed to the Pro user. 1 Volt/Pascal or Better (66 mV @ 94 dB SPL @ 1 kHz). It’s hard to quantify which microphone is better, but the NTG5 certainly offers better value for money. This includes personalizing content and advertising. It is positioned above the previous flagship NTG3, as a broadcast-grade microphone. RF-Bias is a must for a broadcast-grade microphone that is only found in the NTG3, making it much more robust in extreme environments and more resistant to interference. And it comes with a WS10 deluxe windshield, PG2-R pistol grip, and other accessories – the perfect location recording kit. The NTG5 will now replace the NTG3 in that role, mainly because it is lighter and smaller. All rights reserved. First of all, it is much shorter and lighter than the NTG3, which makes it easier to handle on a boom pole. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. The NTG5 features an all-new design that RØDE claims produces a natural, uncolored sound. A broadcast-quality directional condenser microphone designed to provide premium audio recording in a versatile range of applications including on-camera and boom mounted. The NTG5 is a short, ... Lastly, the electronics have been redesigned, resulting in lower self-noise than the NTG3 (10dBA vs 13dBA). The NTG5 is very competitively priced given the competition it is up against. Even the XLR connection at the bottom of the mic feels more solid than that of the NTG3. It also features a revolutionary new acoustic design, which delivers a beautifully natural and uncoloured sound; and it has a less pronounced low end response than the NTG3, which is preferable when recording on-location. Featuring a revolutionary acoustic design with circular ports replacing the linear slots found in other shotgun mics, it offers unmatched transparency and a more natural, uncoloured sound. Comes in a complete location recording kit with windshield, pistol grip and other accessories – the NTG5 is ready to take into the field right out of the box. I have it as my on board microphone and then I take it off and attach it to a boom for recording sit down interviews. The new WS10 windshield, redesigned pistol grip, and PG2-R Pro Cable are marked improvements over previous RØDE accessories. The NTG5’s is a little flatter, more natural, so it’s ideal for a wider range of applications, particularly location recording. The videographer market is a very important one for the popular Australian mic manufacturers Rode, accounting for a … Vazen 85mm T2.8 1.8X FF Anamorphic Lens Review, Black Friday/Cyber Monday Shopping Guide 2020, Tilta DJI RS2 accessories are finally available to order, 80 Hz – 20 kHz ±3 dB // 50Hz – 20 kHz ±6 dB, -23.5 dB re. The NTG5, at least in my opinion feels like a step up in terms of build quality if you compare it to previous RØDE shotgun microphones. Revolutionary acoustic design, delivering a natural, uncolored sound. The fact that RØDE gives you all of these accessories as standard is impressive. Well here is the answer. Compared to the NTG3, the NTG5 is much shorter and lighter. I was actually quite shocked at how much smaller and lighter it was than the NTG3. Matthew has won 41 ACS Awards, including four prestigious Golden Tripods. © 2020 RØDE Microphones. This is good because if you are using it with cameras or recording equipment that don’t have very good pre-amps you don’t have to have the input levels very high to get a good signal level. All I have done here is run all three microphones into the RØDE AI-1 USB audio interface. This reduced weight and size make the NTG5 a god option as an onboard shotgun microphone on digital cinema cameras or even mid to large-sized mirrorless cameras. The NTG5 offers good audio quality at a very good price for a professional shotgun microphone. Rode says the frequency response of the NTG5 has been ‘tailored’ for low self-noise of 10dbA and features a ‘highly directional’ supercardioid polar pattern. The NTG5 is super lighter too, so it’s much easier to handle on boom pole/pistol grip. I was a bit worried there for a while that they were just going after the YouTube crowd by releasing countless budget options. https://www.newsshooter.com/2020/01/16/rode-videomic-ntg-review For many years I have been using the RØDE NTG3 on my camera. The NTG4 builds on the platform created by RØDE's award-winning NTG1 shotgun microphone. They are both great microphones that can be used interchangeably in many scenarios, however, ... NTG4 . This also effectively provides the preamp with more headroom. One of the nice aspects I found when testing the NTG5 was that it is quite a bit more sensitive than the NTG3.

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