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ocean vuong night sky with exit wounds analysis

89 pages. The forces that have been pulling at the speaker the entire poem have been emphasized by the dual nature of the poem's couplets, but in the decisive action to run toward the father, the poetic form breaks, and a definite action has been taken by the final singleton line. Ocean Vuong’s Night Sky with Exit Wounds is an oscillation of words, ideas, values, beliefs, and morals, relating back to the major human experience, grounding itself in themes of family, gender, sexuality, violence, war, and the accumulation of the “self.” Vuong’s poetry isolates itself on the page, finding seclusion to be a powerful force for thinking, imagining, and empowering. Port Townsend, WA: Copper Canyon Press, 2016. Here, it is unclear whether the speaker is figuratively referring to the burning house—in which case, they are talking figuratively about the precariousness of their situation with their lover—or if they are literally referring to the house in which they meet up to kiss. The speaker hopes to be able to eliminate the pain associated with his father through writing ("To even write father / is to carve a … Christopher R. Vaughan. Ocean Vuong creates and poses alternate universes within these poems. I proceed through this analysis by first providing a history of the Vietnam War and subsequent critiques of how the … / Yes, you have a country. The poem's rhythm and punctuation are exceptionally choppy, constantly being interrupted, revised, or revisited through the use of colons, dashes, and ampersands. The poem "Telemachus" is the second poem in Ocean Vuong 's Night Sky with Exit Wounds, and it is the first poem in the first section proper. resource to ask questions, find answers, and discuss the novel. It recounts the speaker's experiences with a lover and posits the idea that their love was forbidden and had to necessarily result in death and destruction. Even so, this is precisely how the poem leaves us, with the tongue becoming weapon, then tongue again. "Notebook Fragments" Summary and Analysis, "Prayer for the Newly Damned" Summary and Analysis. Just after the stunning image of "the day clos[ing] / into a coffin" when the lovers' lips meet, we are told that "in the museum of the heart / there are two headless people building a burning house." Unlike "Thanksgiving 2006," however, "Homewrecker" is written in couplets rather than singleton lines, suggesting a sort of mutual entanglement or implication in the events that result from the speaker's love affair. Even though it is expressed as light, this light is harmful to the speaker and cannot be internalized as something positive: "There's enough light to drown in / but never enough to enter the bones / & stay." Night Sky With Exit Wounds is a 2016 collection of poetry by Vietnamese American poet and essayist Ocean Vuong. This section contains 894 words. Copyright © 1999 - 2020 GradeSaver LLC. In any case, the poem itself does not resolve these tensions but rather revels in them: it is both houses being wrecked, and both implications of the shotgun are accepted. Based on context clues throughout the collection and also the close correspondence of many unclear speakers in the collection to Ocean Vuong himself, it is most likely that this is because the love being spoken of is homosexual, and between two boys. At the poem's end, the speaker reflects that he will wear his father's face for the rest of his life and "begin / the faithful work of drowning." At the poem's conclusion, the speaker continues to reflect on the muddled pains and pleasures of their forbidden love with the subject, saying that they loved each other like "a knife on the tongue turning / into a tongue.". The poem "Homewrecker" is the fourteenth poem in Ocean Vuong 's Night Sky with Exit Wounds, and it is the second poem of the book's second section. This Study Guide consists of approximately 44 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Night Sky With Exit Wounds. In living with Ocean Vuong’s book over the last week or two I have on occasions mistaken its title for Night Sky with Exile Wounds. Next, we are told that "There was always the shotgun above the fireplace." ")—but is here reiterated and refined. Summary. A Review of Ocean Vuong's Night Sky with Exit Wounds by Miguel Soto Ocean Vuong’s collection of poems Night Sky with Exit Wounds is a creative self-exploration, weaving and questioning binaries, and traveling the spectrum of moral ambiguity.In Vuong’s “Telemachus,” the allusion to Homer’s Odyssey is made to illustrate Telemachus’ reaction to his father, Odysseus, arriving at the shore. GradeSaver "Night Sky with Exit Wounds “Deto(nation)” Summary and Analysis". The body is not just an instrument of pleasure, but also a weapon like a knife. Ocean Vuong poured it all into Night Sky With Exit Wounds, winning him a Forward prize – and comparisons with Emily Dickinson @ carmitstead Tue 3 Oct 2017 13.29 EDT The two concepts have become muddled with time and trauma, as they have in the later poem "Daily Bread.". Like the poem which immediately precedes it, "Thanksgiving 2006," "Homewrecker" is about the way that the speaker's own sex life and body can be linked to violence or ill fate. The latter would suggest or be evocative of a sense of real danger or violent repercussions accompanying their love acts. The poem details the speaker's struggle to reconcile his memories of his father with the pain associated with such memories. It is, after all, an ampersand which begins the poem and first recounts how the speaker and his lover "danced" and "loved." resource to ask questions, find answers, and discuss the novel. It recounts the speaker's experiences with a lover and posits the idea that their love was forbidden and had to necessarily result in death and destruction. The horror the speaker feels at writing such words is evocative of the process of writing as tackled in the later poem "Logophobia." He stands at the feet of American poetry and unties the masters’ shoelaces. The poem details the speaker's struggle to reconcile his memories of his father with the pain associated with such memories. The Question and Answer section for Night Sky with Exit Wounds is a great This conflict that the speaker faces—confronting the father's past in all evil but getting a weight off his own chest in the process—is emphasized by the enjambment which juxtaposes "& stay" with "Don't stay here." The poem "Someday I'll Love Ocean Vuong" is the thirty-fourth poem in Ocean Vuong's Night Sky with Exit Wounds, and it is the eleventh poem of the book's third section. The father seems to reach forward in time and dissuade the son from confronting the truth that resides in the light, and the son acquiesces. Similar revision and revisitation occurs in the "If not" constructions towards the poem's end and the "Which is to say" constructions even further down the page. The poem "Aubade with Burning City" is the fourth poem in Ocean Vuong 's Night Sky with Exit Wounds, located in the first section, and it is one of the most well-known poems from the collection. • Night Sky with Exit Wounds by Ocean Vuong is published by Jonathan Cape (£10). He runs "into the night" where his clouded or incomplete picture of his father lives, and in response, his shadow grows "toward [his] father." Moreover, the trauma left by the father penetrates to the speaker's insides, even the parts that are keeping him alive: "here is your father inside / your lungs." The speaker hopes to be able to eliminate the pain associated with his father through writing ("To even write father / is to carve a portion of the day out of a bomb-bright page"), but ultimately is unable to do so entirely. At the poem's end, the speaker figuratively runs from all the "light" that confronting the memory of his father brings (evocative of a light which reveals the true misdeeds and trauma perpetrated by the father in the past) into the "night," where a clouded memory of the father resides. In this thesis, I choose to read the mythologies created in Ocean Vuong’s 2016 collection . This not only gives the reader the impression of the trauma or negativity associated with this particular love affair, but also cues them from the very start to the idea that will later be expressed explicitly—that is, that the speaker constantly revisits this experience through memory as the years go on: "Because the year is a distance / we've traveled in circles."

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